Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture.062 | Portrait of Louis XVI, King of France and Navarre | Landscape with a lake and a gothic church. | Portrait of Friederike Luise von Preuben | The torment al I finalize tlatoani |
Related Artists:
Charles Schreyvogel
American Painter, 1861-1912,was a painter of Western subject matter in the days of the disappearing frontier. Schreyvogel was especially interested in military life. He spent most of his life as an impoverished artist. He suddenly became recognized and earned what seemed like overnight fame. He was born in New York City. He also spent much of his childhood in Hoboken, New Jersey. He grew up in a poor family of German immigrant shopkeepers on the Lower East Side of New York. Schreyvogel was unable to afford art classes and he taught himself to draw. In 1901, he was awarded the Thomas Clarke Prize at the annual exhibition of the National Academy of Design. Schreyvogel did much of his work in his studio (or its rooftop) in decidedly non-Western Hoboken.
Frederick Remington
1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).
Ivar Kamke
Sweden (1882 -1936 ) - Painter